It's all about the Rückpositiv this weekend and I'm making some good progress. I started by gluing the center section cabinet together. At the same time, I went ahead and started making the pipe support for the center pipes. They both came together nicely. The center pipes are now ready to be sealed, primed and painted.
Center Pipe Cabinet
Center Pipes
Center Unit
Next, I pieced the flat pipes together. The design is slightly different with these pipes, which will make for some interesting pipe shades.
When the center unit was complete, I was then able to take that width and make the bottom spacer. The bottom spacer will be glued between the two 3/8in thick bottom pieces. The spacer is 1/8in thick. The center unit will then be glued to this spacer, which will lift the center piece at the right height as the base. I made the base 3/8in thick this time around as the molding is that same height, which will make for easy gluing.
Two bottom pieces with the spacer in the middle
I used a different camera when trying to take the overall photo tonight. However, I didn't realize, at the time, that the quality was set much lower than mine are normally taken. Add the poor lighting and you get the picture below. It still gives you a little idea on where this is all heading.
The word cacophonyis one of those Scrabble words that just came to my head the other day and wanted to include it into the title of this post. It is defined as a harsh discordance of sound; a disharmony. Opus 1 has generated a cacophony of sounds in many ways. From the noise of the saw blade, to the descriptive language when something goes wrong. However, there is concordance amongstcacophony as the completion of this grand project is in sight. It is so close, that you can faintly hear the choir of angels singing praise as the organ, itself, resounds in triumphant splendor!
Until then, you can see the choir of angels, as they are officially attached to the Oberwerk! Attaching them was more simple than expected. I believe I mentioned in the last post that I took a short dowel and cut a 30º angel at one end and a 60º angle at the other. The former would attached to the Oberwerk and the latter would attach to the back of the angel.
I used "sticky tac" to create a sort of ledge for the angle to rest while these pegs were gluing.They proved to be very effective.
Simple and elegant. These hand-carved Italian cherubs add a beautiful aesthetic touch to Opus 1, just as the many angels and statues do to the Müller organ at St. Bavo Church. With this, the principal components of Opus 1 are now complete! This includes the pedal division, the keydesk, Oberwerk and Hauptwerk. The last section is the Ruckpositiv and the shelf which will bring everything together.
Left Angels
Right Angels
When I went back to my notes about the Ruckpositiv, and with what I have learned after coming this far with the models construction, I decided to re-draw the Ruckpositiv in SolidWorks to make sure I have the correct dimensions for when I start cutting the stock. The solid model, in many cases at this point, did no reflect how I actually built Opus 1. This is due to the heavy learning curve as I went about building the model. Though no pictures, I started cutting some of the stock today.
Ruckpositiv seen without any molding or pipe shades.
Once completed, the Ruckpositiv will be attached to the shelf. This means that the shelf will become part of Opus 1. This was not the original plan. However, I think it will work better this way. I'm viewing the shelf as the"choir loft" and will be painted that white-ish marble color similar to, yup...you guessed it, the organ loft in St. Bavo church.
I still need to do a bit more research. I might be either staining the wood to set such a color or finding a paint and painting it. Either way, after taking a trip to the local hardware stores, I found some very nice corbel's to hold the shelf. There are two options. The first is rather simple, but effective. The second is a little more elaborate and will probably be the one I end up purchasing.
There is one more item amidst this concordant cacophony, and that is OPUS 2. Yes, I said it...and I still cannot believe I'm about to discuss a very possible Opus 2. I spoke of this once before. The idea stemmed from a request from my dad for a rock organ similar to a Hammond B3. The idea of such a rock organ then evolved to just a two manual organ with stops and a small case of pipes on either side.
Well, after sitting down at SolidWorks and adding my twist to it, Opus 2 will be a studio organ. When I call it a studio instrument, I speak of an organ your would find at a university for students to practice on. Take, for instance, the organs I had the pleasure of playing during my time at the University of Florida. (CLICK HERE and select the four different links under "University of Florida")
Isometric View
Front View
The entire model measures approximately 10.00in x 5.00in x 7.50in. A few differences with this model should be noted. First, the mouths of the pipes are all at the same level. Therefore, the length of the pipes are different. This means that there will be NO pipe shades. There will be molding at the top of the two large chambers on either side of the keydesk. The keydesk is comprised of two manuals and 18 stops. The stops will not be turned down. Rather, for sake of time, I found some rather ornate toothpicks that will do the trick.
What's really interesting about this model is the section of small pipes above the keydesk. From the front view, you can see an artistic design with the different lengths of the pipes. What you will also notice is that this model contains square pipes. These pipes represent wooden flute pipes, my favorite being the Gedeckt. I should be able to turn down a conical toe with each of these pipes. All of these small pipes will rest in a pipe rack.
So, there you have it! A concordance amongst cacophony. It is rather exciting to be at this stage of the model to say the least. I end with a video of Bach's St. John's Passion (BWV 245). First, we are in the liturgical season of Lent. Second, the music of Johann Sebastian Bach is utter perfection and sheer genius. When you enter into his music, it leaves you in pure ecstasy! The composer Franz Liszt so appropriately referred to Bach, whom he greatly revered, as, "the St. Thomas Aquinas of music." Third, I have been listening to this beautiful piece while writing this post. It's a long work, but I highly recommend listening to the piece in its entirety.
Ash Wednesday is this week! This means that the season of Lent will be upon us whereby we anxiously wait for Christ's resurrection on Easter day. However, amidst the Lenten themes of prayer, almsgiving, and mortification (penance), the construction of Opus 1 will continue! Now, how does this relate to what I have done this weekend? Well, I intended that the angels be attached to the Oberwerk by today, thus the subject title. (Latin: Glory to God in the Highest) However, I figured since the Gloria is omitted during Lent, I'll use this title now and think of another clever subject title that's more Lenten specific when they are attached.
First, I finished section 1 of the Hauptwerk by touching up the molding, along with creating the top skin. I then glued all three sections together. After the three sections became one unit, I went ahead and glued the bottom pipe shades for section 1. Just like that, the Hauptwerk is now finished!
I had considered gluing the Oberwerk to the console area/base. However, I'm thinking for future transportation, the more sections to break it up into, the better. This is why I didn't glue the Hauptwerk to the Oberwerk, which was my original plan. So, another idea came to me to secure each section of Opus 1 together...a clasp! Yes, a clasp will be used to secure the Oberwerk to the console area as well as the Hauptwerk to the Oberwerk. I found one that should work. However, I'm going to do some brief internet searching before finalizing on this option.
Center section of Opus 1
Possible Clasp
As for the angels, it should be apparent that they are next. I went ahead and created small dowel fixtures, cut at 30º and 60º angles at each side, to support and position each angel. After this is completed, I cannot believe I'm saying this, but it's time to start Ruckpositiv...the LAST division of Opus 1!! At the same time, the final base needs to be built. Instead of attaching the Ruckpositiv to the base of the console, It will be attached to the shelf. The shelf will then become part of the model. I wanted to shy away from this idea. However, I think in the long run, it is a good idea.
With that said, the end is certainly in sight. Until next time...
Yes, It's Superbowl Sunday! I certainly scored a few touchdowns this weekend when it comes to Opus 1. When it comes to the actual sport in question, I don't care. Like I have always said, why do they call it "football" when you don't even use your feet? I side with those who like real football, or what we here in the US of A call soccer. But I digress...
The Hauptwerk (HW) is about 90% complete. I first glued the top pipe shades for the two section 1 modules. I also went ahead and cut, seal, prime and paint the bottom pipe shades for said section. They will get glued on once the entire HW is glued into place on top of the Oberwerk.
I then focused my attention to section 3 (center). The top and bottom grills needed to be glued in place. When it came for the molding, which all the parts were cut and ready to be glued, I noticed that the top grill was not completely tangent to the sharp corners where the molding is glued onto. Thankfully, everything worked out. As with all the molding, especially the larger kind, I needed to sand down some areas and add some wood filler.
Next came section 1. I went ahead and painted the small molding that will go at the top. I had to make the two small ends that made to section 2. (see picture above) They all fit together nicely. Although, I did need to use some wood filler on one of them.
After looking at the St. Bavo organ, some of the molding toward the top is very large. So, I decided to do a row of large molding on top of the small molding. This cuts were a little tricky as I needed to line them up with the corners of the current molding. I must admit, the are not completely proportional (respectively). However, the sides that matter - the outermost side - both came out the way I wanted it to.
Yes, pretty large, wouldn't you agree? Next weekend, I need to do a bit of sanding and re-painting for both of them. Afterward, I will make a skin for the top.
Stepping back and looking what I have accomplished in just a little under SIX MONTHS is quite impressive. I need to remind myself sometimes that this entire undertaking is a first for me. As I progress with the model, I think, "Oh, I should have done that like this!" or, "I should have used this material and not that material" or even, "Damn it's crooked! I'm Ray Charles when it comes to cutting wood!"
Either way, I can honestly pat myself on the back and admire my work for something so original as this model. It is certainly playing a big role during this chapter of my life. It symbolizes many things, some that I cannot even articulate. That is, ultimately, the creative spirit in all of us. Such expressions of creativity keep the mind and imagination going. Any medium, i.e., music, painting, dance, exercise, cooking, gardening, creative writing, etc., assist us in our journey in life. The gifts that God has given each and every one of us help define our individuality. We must, in turn, use our gifts for good and direct them to the Good, God Himself, thus doing everything for the glory of His name. Every composition that J.S. Bach composed started with the initials J.J. for, "Jesu, Juva" (Jesus, help) and ended with S.D.G., or, "Soli Deo Gloria" (to God alone the glory). Once again, I digress. Until next time...
